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(From the April/May Zephyr) Willie Flocko’s Country Kitchen: I like Eggs…by Bill Benge

To read Willie Flocko’s Easter Eggs recipes, click the image below:

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THE HITE FERRY. Summer 1959 by CHARLES KREISCHER

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(From the April/May Zephyr) MY PERSONAL HISTORY, Part 6: My Life as a Sheep Herder (continued)… by Verona Stocks

Excerpt:

For five years I lived and thought one way; now almost over night all that was changed. My husband had died, my baby was one year old, my daughter was four, and my partner in the sheep business was  56 and very sick; Mary Duncan, Dad’s sister.

My uncles took care of the shearing and the lambing. Dad was sick and Aunt Mame was operated on for breast cancer. I helped Dad and the kids daytimes and while Aunt Mame was in the hospital, I sat up with her nights. As soon as I was not needed at the ranch, I took my two children back to the sheep camp. Uncle Otho was having a bad time with muscular rheumatism. He could not herd the sheep but he could tend the kids. As soon as school was out, Dad brought Felicia to the sheep camp to take care of Vee and Bob for me. It was painful for Otho to move so he went home.

 

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(From the April/May Zephyr) Toots McDougald’s HISTORY OF MOAB… by Jim Stiles

Excerpt:

Toots knows a lot about Moab. She should; she was born here in 1915, in the same house on First North that Ron Pierce lives in today. Her grandfather, M.R. Walker, built that house around the turn of the century. She grew up in and around Moab, spending some time in Thompson and Cisco, where her mother cooked at the hotel.

 

To read more, click the image below:

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(From the April/May Zephyr) Red Rock Country…by Damon Falke

Excerpt:

Uncle Lloyd took me fishing on a creek above a ghost town in the San Juan Mountains.  He did not take me fishing above a village or an undiscovered community.  He took me fishing above a town of ruins, of remnants, of no people.  The dilapidated sheds and buildings sat quiet in the little valley, keeping the peculiar silence of a place abandoned.  Old blankets, all of them dusty and stained, stayed on the few iron beds still in the cabins.  Drinking glasses and deer mounts were left hanging in what had been a saloon.  The place was quiet.  The place was full of ghosts.

 

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MOAB, UTAH. 1959 USGS map

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(From the April/May Zephyr) “You Can’t Go Wrong With a Dog”…by Jim Stiles

Excerpt:

It was Ranger Karen McKinley Jones in full combat gear and she’d caught us dead-to-rights. She was still more than a hundred yards away when she ordered us to return to the parking lot and we considered making a run for it, but then thought better of it. We met Karen face-to-face a few minutes later. Bruce came bounding out of a ravine ready to slobber all over Ranger Jones’ loden green pants, not to mention her standard issue, Browning 9 mm leather gun belt (complete with gun).

To her credit Ranger Jones was as tolerant and patient as we had the right to hope for. She was, in fact, downright pleasant (and besides I may, in the future, very well break park rules again, so there was nothing inappropriate about doing a little “sucking up” at this point). Karen issued me a “courtesy tag” for entering a “closed area,” in this case the entire park. And she gave Bruce a verbal warning about the dog. We left humbly, promising that if we ever did return to the park while it was closed and let a dog run freely, we’d be more discreet about it.

 

To read more, click the image below:

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(From the April/May Zephyr) THE UNITY MONUMENT: The ‘Hole n” the Rock’ Creator’s Tribute to FDR & Willkie, and its Awful Demise…by Jim Stiles

Excerpt:

Albert Christensen loved stone, Jesus and Franklin Roosevelt. He was an artist from the time of his birth and was driven by an almost primal need to express himself. He created his own kingdom at “Hole n’ the Rock, a few miles south of Moab and filled it with his inspirations. A tour of Christensen’s famous home today is an exploration of his art and his passions; his many renderings of Franklin Roosevelt are everywhere, in oils and acrylics and watercolor, but it almost seems as if Albert was searching for a grander way to express himself. That he felt he just hadn’t got it right yet.

 

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(From the April/May Zephyr) ALBERT CHRISTENSEN & AHARRON ANDEEW: Eccentric Sculptors…& Kindred Spirits?…by Jim Stiles

Excerpt:

But there was another sculptor in southeast Utah in the mid-1930s, though his time there was limited, his origins unknown, and his life after his brief stay in Moab, tragic. His real name is not known, but he called himself ‘Aaron Andrew,’ or ‘Ahrron Andeew,’ or simply, ‘King America/King World.’ He may have been of eastern European ancestry but no one can say with any certainty. What I know of ‘King World’ comes from listening to the Moab oldtimers when I first arrived in town, in the late 70s.  Aaron was an eccentric artist who dressed oddly, created copper ‘medals’ that he wore on a chain over his tattered great coat, and who was often seen marching up and down Main Street on Sunday mornings, as if on patrol.

 

To read more, click the image below:

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(From the April/May Zephyr) Vlachos’ Views… Photos and Captions by Paul Vlachos

To see more of Paul’s photos, click the image below:

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